mona paints moving figures

GOING , GOING, GONE!

2011-03-16T17:10:00.000-07:00

It seems the figure I was working on evolved right off the canvas. Many times! It took two days of push and pull to get myself warmed up to letting go of calculations and pestering questions about right and wrong. This morning I walked in painted off the old efforts and simply put down the lines that do not carry a burden of pre conceived ideas. Tomorrow looks promising.

In her book "The Creative Habit", Twyla Tharp says; "There's an emotional lie to over planning; it creates a security blanket that lets you assume you have things under control, that you are further along than you really are, that you're home free when you haven't even walked out the door yet."

FROM THE SKETCH TO THE PAINT

2011-03-09T17:20:00.000-08:00

I would be curious what other painters feel as they are about to take on the canvas with brush in hand. For me it's often like standing on a very high diving platform. Stalling by fussing about before taking that deep breath.

Today I dove. This figure will evolve over the next weeks or few days with the hope I do not take away the movement in the gesture and bind her up with paint. Instead, she needs to soar.

GAME DAY

2011-03-05T17:19:00.000-08:00

What an exciting day for sketches!

First there was the morning practice where the team looked so clean and smooth. I discovered that that's when the notes come down easily.

Then, as it turns out, their very important game against Montana State was in the afternoon. I was witness to how different the playing field becomes with outside talent coming into play.

There was that tension and desire in the players to give it their best just as on the dance floor when the curtain goes up. players gave 150% effort in dynamic moves that sometimes resulted in situations requiring recovery from the unexpected and then to be restored as an outstanding performance by winning the applause of those who spectate and appreciate. Bravo on your win today ladies! On they go to the Playoff tournament and more sketching time for this artist:)

WAKING UP THIS BLOG

2011-03-02T16:12:00.000-08:00

Since last fall I have been collecting notes for this series of large canvases that focus on similar movements found in dance and sport.

Sketches are still happening since the football, soccer and volleyball practices observed last fall. Lately my subjects have been PSU women's basketball and Oregon Ballet Theatre rehearsals.

This 48"x72" canvas has just been started. The posted gesture popped up in both my PSU sketches as well as those from the dance floor at OBT. My self imposed project is turning out to be fun and full of wonderful challenges. I am at the wonderful mercy of what happens in front of me whether it be at practices and rehearsals or on canvas.

ENTER THE SPORTS WORLD

2010-10-08T17:44:00.000-07:00

After sending requests to sketch the Oregon State Uni. football practice I received a quick response and was able to witness two hours of outstanding athleticism.

My heart be still! As in dance, these beautiful body forms give 150% of what they are there to do. I was the only one in the stands for much of the time and sketched non-stop taking away notes I am proud to say are refreshing and seem like potential painting subject matter. No one cared that I was there and that provides an excellent climate for drawing to meet my needs. Drove home loaded with smiles and the sound of the band practice echoing in my head. A reminder Ohio State years.

Don't know where this is all going but

USEFUL SKETCHING NOTES

2010-09-14T16:06:00.000-07:00

The update on my project for combining sports movement gestures and dance gestures is still in the stage of making use of the wonderful works at North West Dance Project and trying to get field time with University of Portland women's soccer and Oregon State University football. I have e-mails explaining the the project, my request for field time and some paintings as examples. Perhaps I need to go to the athletic departments with a brief portfolio. Their time and schedule must be quite precious right now.

Meanwhile I am prepping canvases in anticipation of what's ahead.

DANCE OR SPORT?

2010-09-03T12:29:00.000-07:00

Seems like it has taken years for me to come to the exciting project of painting a series of canvases that have to do with the idea that dance and sport have similar gestures and come under the concept of movement as being composed of force, time, space and flow.

My first task at hand is to line up opportunities for getting on the playing fields of football,volleyball, soccer and tennis during practice to sketch as close as I do in the dance rehearsals I'm attending now. Eventually I would accumulate notes and experiences that will nurture this project for however it last.

It will be enjoyable to report into this blog as a journal for this endeavor.

PAIR ON THE RUN

2010-08-26T16:52:00.000-07:00

After the gallery that I had these gestures exhibited closed last spring I decided to circulate some of this work in local venues. It has become a refreshing lift after losing the original home for this inventory.

The owners of a wine bar named BARILE' here in Portland have agreed to hang 10 of these gestures. Their interest and enthusiasm breathes new air into the work.

AND THEN AGAIN

2010-08-16T15:38:00.000-07:00

Canvas work can be so luring. I don't have to settle for any line, color or shape unless I want to. So this canvas haunts me even in the grocery store and will do so until I find what it is I am looking for.

The female figure is more convincing then the last attempt.

Dance is conversation with the body. This canvas needs to offer that.

The male figure at the top right needs company.

NEW LINES ON OLD PAINTING CAN BE FUN

2010-07-29T17:31:00.000-07:00

I have been pestered by a canvas I started over a year ago. The painting is from notes taken from James Canfield 's choreography last summer.

Actually it is several blogs back from this one. The gesture of the female figure on the left did not work in this composition .

On a studio errand yesterday the image of the figure that I needed came to me. When back in the studio she went down onto the canvas in a matter of seconds.

What fun to have resolved that part of this process called painting. Maybe I should repeat that same errand tomorrow before adding color and features to hopefully move her and the viewer.

CELEBRATION TIME COME ON!

2010-07-22T16:39:00.000-07:00

What better way to announce I am back from a year sabbatical than flowers in season.

This year long sabbatical has provided the time needed to convalesce from surgery and creative fatigue.

The Northwest Dance Project NWDP, has provided me with notes to launch new works. They are one of the main dance attractions in Portland during the summer and I am grateful for the opportunity to prop on their floor and draw. It's great to be back.

BEGINNING TO UNDERSTAND

2009-07-25T12:09:00.000-07:00

The more I read as I flip through resource material the more my heart goes out to this often misunderstood animal. This began to show at the easel yesterday. Painting definately does not happen from the elbow down when dealing with the wolf. this animal represents a life form and that has stood the test of time at the whim of humans who have worshiped them and needlessly slaughtered them and that is still going on today.
"If we could live like wolves,

we would never hate our brothers

and sisters just for being of different colors.

We would live together in harmony,

knowing that the well-being of the others

would be the basis of our own well-being.

We wold care for each other

no matter whether young or old or healthy or sick.

We would look after nature

because we would understand

that we need Her to survive.

and we would kill for one reason only-for food.

What a perfect place earth could be,

if only we could be like wolves."

-Anonymous

"Wolves A PHOTOGRAPHIC CELEBRATION"

edited by amber rose

THE OTHER STUDIO PROJECT

2009-07-22T16:29:00.000-07:00

The other studio project has been to develop an animal series that I can sell on line. This category of painting has always been there to play with as additional entertainment in the studio and i am beginning to accumulate a nice selection of finished work.

Hopefully, I can have a website of just animal paintings and drawings up and running by the end of this sumer.

When painting a specific animal I spend time reading about it and then find as many images as possible to simply observe closely. After getting acquainted there is the fun project of painting what I studied.The wolf is a complicated creature. Intelligent and resourceful. This painted has just begun to look for that.

"There is no question that the wolf is hampered by the worst press in all the animal kingdom."_Robt H. Busch

NOW THE FUN PART

2009-07-20T16:57:00.000-07:00

Today was one of those times when you walk into the studio and the composition has already been activated in your mind. Maybe it happened when counting out corn at a fresh veg. stand or walking the dog. The important thing is that it feels like a gift of the gods. so many times the painter strives for days to click into the "right" lines, or find that you are too tight to make quality marks that day.

I haven't worked in combinations of figures in a long time. If this still looks promising tomorrow, i'll dive in and begin painting .

2009-07-13T20:14:00.000-07:00

FROM SKETCHES TO CANVAS

After selecting the images from the sketches in the slide show below, I begin diving into the project of a painting. This will be a 4' x 4' composition.

When preparing a background , my preference is to create a setting that is not narrative and rather abstract. I want it to have an energy and direction that can hold up to that of the moving figure.

This process is ongoing even as the figure(s) are worked onto the canvas.

2009-07-09T11:02:00.000-07:00

RE ENTRY INTO STUDIO WORK

There is nothing like a dear friend and fellow artist to pull you back on track.

Choreographer James Canfield is rehearsing in town with Sarah Slipper's NorthWest Dance Project.

It feels like old home week. James invited me into his rehearsals nine years ago and I haven't stopped drawing movement since.
After leaving Oregon Ballet Theatre, James is now Artistic Director of the Nevada Ballet.
His dynamic floor work provides wonderful notes that have me racing into the paint studio again.

The slide show attached is a selection of notes sketched over the last few weeks.

THE SIMPLICITY OF FUN

2009-05-06T08:50:00.000-07:00

Brush and ink have given me sweet sessions of peace this week. I must remember to keep these supplies out and ready at all times.

"If doing artwork is too relaxing, you may need something to make you tense. Try swimming."

K. Tanahashi

MORE CORVID CREATIONS

2009-05-05T08:10:00.000-07:00

This could be an on- going past time and refreshing easel break. Another quote from Brush Mind; "One stroke painting leaves little room for thinking; the moment it's started, it's already done."

ANOTHER CROW DAY

2009-05-04T08:52:00.000-07:00

The parade of shinny clever crows are still catching my eye. Yesterday I sat outside with Sumi ink, brush and paper and captured gestures much like being in the ballet studios . What fun. Especially after having read Kazuaki Tanahashi who wrote Brush Mind and I quote: "The quality of the line is what matters most-how deep, strong, or honest it is. It doesn't matter how good or unusual it looks".

TIME TO CROW

2009-04-24T16:23:00.000-07:00

It's that time of year when the sun and warmth lures us out of the studio. Our back yard is old, large and loaded with animal and plant life.

This is also when the crows strut around in those shiny black feathers and begin luring me into sketching and photographing them. This bird in particular has so many physical gestures and expressions. I can feel it now. sketch pad in hand and crow calling, crow landing, crow flying with mate, crow eating , crow, crow crow!

2009-04-23T11:03:00.000-07:00

Time spent being out in the community does cause some studio strain and yet I have found that being out among interested adults and school populations has been rewarding. As I shift back into my work routine there is an added enrichment to what I do as well as a feeling of being fortunate enough to do it. Yesterday I spent the afternoon at Westview High School in Beaverton for a Career day event as one of many speakers. It was fun to talk about art as a career choice and to see so many students attend the session. Hopefully that gained something that will make their journey easier.

Vines and Lines

2009-04-15T15:01:00.000-07:00

The second Thursday of each month I am teaching how to draw the figure in an hour session that includes a glass of french wine and low impact instruction with results. It is amazing how quickly those who have attended can progress in such a short time. Annie Salness joined in last week making fun and helpful contributions. My visiting sister and mentor also attended making it a sweet memory. all are welcome.

2009-04-08T10:04:00.001-07:00

Meanwhile back to rehearsal and the quick sketches. As I read other blogs of artists it is amazing to see the variety of topics for inspiration. We are everywhere! Looking at cows, cowgirls, trees, stumps, shacks, barns and long streets. Lucky us.

Big and Small

2009-03-30T22:21:00.000-07:00

In her blog, painter, Karin Jurick recently talked about how working on a small painting is a break from the more challenging work on a large canvas.

I find the same kind of relief with windows that I often put on my large pieces. The one on this canvas in progress may or may not stay in the composition but it has served the purpose of a relaxing distraction.

Our Paintings teach Us

2009-03-24T21:23:00.000-07:00

When painting from the on- sight sketch and the memory of seeing that dancer move, it doesn't always come down on canvas the way I had planned. The two dimensional canvas and the paint can often cause the image to tighten up and become confined in the composition. This week is an example of that.

By painting out the ineffective areas and re-drawing the gesture I can put life into the form again. I am thinking that most painters are humored by the sometimes surprising outcomes of their calculated intentions and that feeling a little bit more experienced because of it.

From Newsprint to Canvas

2009-03-16T22:27:00.000-07:00

This posting shows the process of taking a gesture from the actual rehearsal sketch and developing that idea on a canvas . The next few days will determine the outcome of this project.

Double Dutch

2009-03-14T10:38:00.000-07:00

Those who remember jumping double dutch are aware of the skills necessary to be successful: timing, rhythm, concentration and endurance, to name just a few.

I am presently jumping double dutch between two different easels and topics in my studio this week and find it invigorating. One is a canvas that i am developing from the recent OBT performance and the other is a paper piece of a lion. The contrast of subject matter is entertaining even if there are some days i trip on the "rope". Then I go to a rehearsal or the zoo.

My question has to do with other artists' and the number of works that are actively being painted on daily.

Grandchildren and Inspiration

2009-03-05T19:01:00.000-08:00

Before continuing with the series of drawings from the recent Oregon Ballet performance, I chose to share a request from my 17 year old granddaughter.

She has asked me to paint her three paintings of large cats. At Christmas I have her a Panther. An unnerving thing to do for a teenager in that phase of brilliant one moment and out to lunch the next.

The posted painting of the request for a Tiger came down easily and with the confidence that I had already passed the "cool" test.

It's amazing to me how much influence grandchildren can have on an artist and wouldn't that be a great idea for a book?!?

Any comments on this topic are welcomed.

From Rehearsals to the Stage

2009-02-28T11:22:00.000-08:00

The next six sketches posted here are fresh from recent rehearsals at the Oregon Ballet theatre.

I specifically focused on a piece called Lambarena. It is full of moves that are liberating to the soul. Performers move to the high energy and seductive rhythm of African music and with Bach slipping in for a clever contrast. All in the name of Ballet.

I Can't wait to see how it all looks on stage this weekend and encourage everyone to consider the privilege of seeing this on stage along with Rite of Spring and Ash. For information go to OBT.ORG.

Of Birds and Ballet

2009-02-10T20:05:00.000-08:00

My office is in a separate location from the studio so I can accomplish desk work without the distraction of whatever painting is on the easel. However, there is one pleasant distraction I can work beside and that is the bird life that occupies our backyard and the many feeders. In the mid-afternoon the crows and flickers arrive for their shift. It's amusing to watch them take flight with a single hop, a runway take off or a drop from a tree.

When at a rehearsal later today there will be an attempt at flight as the dancers leap with such power and grace they seem suspended in the air. It's exhilarating to see the human form airborne using only their strength to defy gravity, even for a few seconds.

There are many images of the dancer in flight in my pile of sketches, but none of a bird. That's a challenge worth taking on. That lift off when the body of the bird collects itself in such a way as to become instantly airborne. Any takers?

DANCE, TENNIS, OR FOOTBALL

2009-02-04T09:09:00.000-08:00

This week has been a combination of dance rehearsals at the Oregon Ballet Theatre, outstanding performances in sports with the tennis finals at the Australian Open, and the NFL Superbowl.

When reviewing my sketches from these events I am struck by their similarities. Even though art philosophers have written many chapters on the topic of the cross referencing that exists in sports and dance, it is still exciting to see it come down on the sketch pad in front of you.

The image to the right is an example of this daily revelation.

Beyond the Studio

2009-01-27T16:09:00.000-08:00

As I read other artists' blogs it is gratifying to see that we are all in search of subject matter for inspiration to draw and paint.

In these last few days since coming on board, I have overwhelmed myself looking at the wonderful works of artists mentioned on Annie Salnes's blog.

All this to say that going Blog requires one to look up and out from the discipline and safety of the studio and join hands in the name of creativity. Art making can be isolating and insulating. Extending one's self to not only the community but to other artists balances out a need I became too busy to notice.

The second posting is a gesture drawn from notes taken at a rehearsal with Alonzo King Ballet. His company is high on energy and dynamic moves. I rally whenever he comes to town or nearby :)

Adventuring into the blog world as an artist

2009-01-24T15:57:00.000-08:00

After a month of acquainting myself with the blog activity of other artists I am ready to begin posting small studies from quick sketches at dance rehearsals I have attended this year.

The original gestures are being translated to 9 by 12 inch bristol paper using an apple twig and black ink on thin acrylic paint. This application allows for the irregular lines that help accentuate the figures movement and by freeing up the anatomy of the figure.

These gestures will appear frequently on this blog. After a month or so of practice, I plan to post such works for sale at an affordable price and hopefully eventually move into posting paintings as well. Any input, questions, and especially conversations are welcome.

COMING ON BOARD

2008-09-11T13:39:00.000-07:00

Times are changing and the idea of catching up is at hand for me as an artist. Galleries can be a necessary marketing tool but now I can enhance that with blogging. Also, I anticipate this endeavor to surface others of like interests and compound the idea of a community in thoughts and processes when it comes to drawing and painting the human form.